Hannibal

Author(s): Luke Beverley

Mentor(s): Daniel Normandin, English

Abstract
I’ve heard a lot of people ask the question ‘why did the Romans do what they did? Why was Rome so violent and weird?’ To me, this question is very easy: why wouldn’t they do what they did? Why would they not be violent and weird? All you need to understand Rome is to understand people and the situations they are in. I’m Luke Beverley, and my creative dissertation is Hannibal, a historical fiction novel that aims to discuss these people and situations. It is set in Italy during the Second Punic War, and centres around two characters: Hannibal and Scipio, legendary rivals. Through these characters and the situations they’re in, I seek to contextualise Roman exceptionalism in the terms of the modern world, phrasing the strange and distant civilisations of antiquity in ways a modern audience can both comprehend and even relate to. Carthage, as a coded metaphor for Britain, speaks to empires of the past; Rome, as a coded metaphor for America, speaks to empires of the present. The crux of my project is thinking about people in history. Travelling to Rome and speaking to local scholars helped me realise that people in history do what we do, but in very different situations and cultures. I believe the best histories come when we understand the cultures that created a series of events, and being in Rome gave me a lot of that culture. I look forward to sharing my work.
Audio Transcript
Scipio (saluting): *Salve amici*! I am Publius Cornelius Scipio, and I’m here on—

Hannibal: I AM HANNIBAL BARCA, THE BLOOD-SWORN CONQUEROR OF ROME!

Scipio: He’s just cranky because he lost his last elephant.

Hannibal (looking around): WHERE DID YOU GO, BIG TUSK?

Scipio: I’m here on Luke Beverley’s behalf to tell you a little about his exciting novel *Hannibal*, a story about—

Hannibal: WHAT? Did you say the name of the dreaded scourge of Italy HANNIBAL BAR—

Scipio: *A story about* the Second Punic War, and the rise of my beautiful, messed-up country, (hand over heart) the Roman Republic. *Hannibal* is full of gripping historical characters, heartbreaking emotional moments, epic battles—

Hannibal (elephant in his hand): AND ELEPHANTS! Oh there you are, Big Tusk. (kisses elephant)

Scipio: And elephants, (bashfully) and a little bit of romance, too. Look out for a sweetie-pie named Felix. (winks)

Hannibal (stroking beard): Yes, it is a most excellent biography, befitting my strategic genius.

Scipio: Mmm, I’m pretty sure it’s about other people, too.

Hannibal: WHAT?! How could something with my name be about ANYTHING ELSE THAN ME?

Scipio: Well, Luke wanted to add some pathos to the ordinary people living in this period of time, so he included perspectives from foot soldiers, lowly farmers, grief-stricken citizens of Rome, and so on, all in his quest to portray this tumultuous period of war.

Hannibal: Hmmph, he should’ve written more about how I tumultuously kicked your butt. Four times in a row. After crossing the Alps. With an army.

Scipio: Oh hush, I defeat you in the Battle of Zama.

Hannibal (gaping): What the hell, man, I didn’t get to that part yet!

Scipio: Okay, okay, sorry!

(hard cut) Scipio: Anyway, Luke explores complex themes in *Hannibal*, such as imperialism, militarism, history, and the terrible cost of one man’s revenge. Looking at you, Hanny.

Hannibal: Grrr, I only took that blood-oath to destroy your civilisation because my father wanted me to.

Scipio: We do a lot of things we don’t like to honour our families, I would know. This is also something Luke explores, the generational nature of martial duty and the impact it has on young men like me. The scars that trauma leaves on soldiers just trying to serve their families and societies. I love Rome, but a lot of what we did wasn’t pretty, and I struggled for a long time to try and figure out where I belonged in that cruel, messed-up world.

Hannibal: Read *Hannibal*, and see how I crossed the Alps to kick 900,000 Roman asses at Cannae!

Scipio: Well, come for the battles, but stay for the feels. It’s an ambitious story of war and pain and family, all pulled together with rich characters and drama. I hope you guys enjoy it. (waving goodbye) *Vale, amici*!

13 replies on “Hannibal”

Hi Luke!
This video is fantastic, I love the creativity. Your work sounds fascinating, and I look forward to reading Hannibal in the future.

This is a great video, Luke! As a history major, I nerded out on your ability to tell a fun story while incorporating historical context and facts. You made history fun! Well done!

Thanks Dr. Wilkerson, I’m delighted that you think so! History is a great medium for stories, mostly because it is far stranger than fiction! I explore a few of the crazy, ridiculous things Romans used to do, yet I feel I’ve only scratched the surface.

Hi Luke!
I love how you were able to make these characters feel so relatable. It seems like a huge challenge to be able to re-interpret ancient texts into a modern vernacular and make it appealing to a YA audience. Great work! 🙂
-Tulane

I’m so glad you liked it, Tulane! I only hope YA audiences will gravitate to this sort of work, it gets pretty heavy at times. The dark themes of Avatar: The Last Airbnber (which you are now a scholar in!) helped expand my mind on what the full potential of YA is.

Nice work, Luke! I’ve read a bunch of novels that revisit and reinterpret classical myths and epics through a feminist lens. Seems like there’s a microboom of such novels—thinking of books by Pat Barker, Madeleine Miller, and Natalie Haynes here. I wonder if you see your deep dive into ancient Rome as in league with these other novels in some ways? Also, I will never see the name “Hannibal” again without going “Hanny!” Thanks for your project!

Thanks Professor Anderson! Yes, Madeleine Miller was a huge inspiration for this project— Patroclus and Achilles’ romance helped shape Publius’ romance— and now I gotta read Pat Barker and Natalie Haynes, too! I’m hoping my novel will fit into that ‘micro boom’ you’re speaking of.

Thanks for believing in me, Dr. Lee! I learned so much this semester that would not have been possible without URSP’s generous support.

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